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This book is a magisterial account of the life and times of Marcel Proust, one of the greatest literary voices of the twentieth century. Based on a host of recently available letters, memoirs, and manuscripts, it sheds new light on Proust's character, his development as an artist, and his masterpiece In Search of Lost Time (long known in English as Remembrance of Things Past). The biography also sets Proust's life in the decadent artistic and social context of the French fin de sihcle and the years leading up to World War I. The glittering Parisian world of which Proust was a part was also home to such luminaries as Anatole France, Jean Cocteau, and Andri Gide. William Carter brings this vibrant social world to life while he explores the inner world of Proust's intellectual and artistic development, as well as his most intimate personal experience. Carter examines Proust's passionate attachment to his mother, his deep love for the scenes of his youth, his flirtation with Parisian high society, his complicated sexual desires, and his irrevocable commitment to literary truth and shows how all these played out in the making of his great novel. In the book's abundance of detail, its wealth of anecdotes, quoted letters, and recovered conversations many of them appearing in English for the first time Proust comes alive as never before.
- Sales Rank: #1432298 in Books
- Published on: 2000-04
- Original language: English
- Number of items: 1
- Dimensions: 2.30" h x 6.53" w x 9.49" l,
- Binding: Hardcover
- 1024 pages
From Publishers Weekly
When the newly famous Marcel Proust (1871-1922) consented to an interview after winning the prestigious Prix Goncourt toward the end of his life, he modestly claimed he had spent the previous 15 years "entirely in bed." It was, of course, during this time that he began his quasi-autobiographic masterpiece, A la recherche du temps perdu. While Proust mythologized his life more than his writing, University of Alabama French professor Carter (The Proustian Quest), in the longest biography yet of the novelist, methodically takes account of both. Proust's voluminous social diary, his numerous friendships and his close relationship with his mother all inspired his great novel, as recounted here, but Carter also argues that Proust's earlier writings, often viewed as dilettantish, in fact led him progressively to write his masterpiece by virtue of the discipline they imposed. Carter comprehensively examines these early projects, from the abandoned novel, Jean Santeuil, and some pseudonymous society columns to Proust's idiosyncratic critique of the great 19th-century literary critic Sainte-Beuve. Excavating biographic details out of such material as untranslated memoirs and recently collected letters, Carter meticulously, often mundanely, accounts for the daily affairs of this social butterfly-turned-hypochondriac and shut-in. Proust's romances and infatuations, his political action during the Dreyfus affair, and his literary runs-ins with Anatole France and Andr? Gide, as well as larger issues such as his homosexuality, all receive lengthy treatment. Yet despite the impressive Proustian detail that Carter amasses, the biography still only skims the depths that flow from the author's life into his timeless novel. Illus. not seen by PW. (Mar.)
Copyright 2000 Reed Business Information, Inc.
From Booklist
Carter braves the ascent of one of the highest peaks in world literature, retracing the lifetime of Marcel Proust, from the formative lessons he received as a child at his sensitive mother's knee to his lofty final achievement in publishing, The Search for Lost Time (generally known in the English-speaking world as Remembrance of Things Past). Newly available correspondence and memoirs provide revealing details of Proust's complicated Parisian social life, his intimacies with male lovers, his disputes with critics and other writers. These same sources also clarify the great difficulties (poor health, editorial skepticism) Proust surmounted in publishing his masterpiece. But it is in limning the erratic and surprisingly slow development of Proust's creative powers that Carter best demonstrates his own considerable gift. He deftly reveals how Proust's artistic talents--finally at full strength in his multivolume Remembranceenabled him to fathom the mysteries of memory, revealing not only how memory recalls the past but how in rare and luminous moments it transforms that past into living meaning. The serious readers attracted to Proust's brilliant novel will thank Carter for illuminating the life that produced it. Bryce Christensen
From Kirkus Reviews
A masterful life of the eccentric pioneer who mapped the modern mind in Remembrance of Things Past (more accurately translated here as In Search of Lost Time), by the noted Proust scholar (French/Univ. of Alabama at Birmingham; The Proustian Quest, not reviewed). In seeking to reveal how one of the centurys towering novelists (18711922) ``came to produce what is arguably the most brilliant, sustained prose narration in the history of literature, Carter has produced a long, loving annotation to the autobiographical In Search. He explores his subject with a scholar's care, a novelist's eye, and a generous tolerance for readers without French. His hero is invariably ill, most often with asthma, a condition he exacerbates with drugs, a nocturnal lifestyle, and an erratic diet (in his last days he consumes only ice cream and beer; his death follows his adamant refusal to accept medical treatment for pneumonia). Proust's legendary eccentricities are on full display: his cork-lined living quarters (to ensure the quiet he craves), his vampirish avoidance of daylight, his endless revisions of his texts (In Search requires ``one of the most demanding productions in the history of publishing''), and his prodigality (he recklessly spends nearly all of his enormous inheritance). Noting the fascination of Prousts lifestyle for contemporary readers, Carter labors to explain his complicated sexuality (he fights a duel with a reviewer who has suggested he is gay, but he also pursues young men, regarding waiters at the Ritz as a particular delicacy) and is determined to establish that Proust ``never attempted to deny his Jewish heritage.'' Not even Carter's considerable narrative gifts, however, can make Proust's bedridden later years, marked by a contentious, complicated correspondence with his publisher, as compelling as his early, more extroverted life. A prodigious work, rich and racy, informed by fact, animated by imagination, utterly worthy of its wondrous subject. (47 illus., not seen) -- Copyright ©2000, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
72 of 74 people found the following review helpful.
Aa readable and sensitive biography
By Richard S. Sullivan
This is a dangerous book. If you have not read In Search of Lost Time in all of its infamous 3000 pages and you pick up this book, beware. Chances are, like me, you will find yourself juggling this great biography, Vol 1. of the Search, and Roger Shattuck's Proust's "Way, A guide to In Search of Lost Time" all at the same time.
Carter's biography is the first comprehensive one in 40 years and is based on much new information not available in the Painter volumes of the late 50's and early 60's. I ordered this biography and it immediately got me hooked. Proust, in all his eccentricity (sometimes hilarious) comes off as a real and likeable person. He is certainly a different person than the one living in his corked lined room writing page after page describing the wallpaper in his room that Dr. Kaufman taught us about in my 1958 high school World Literature class.
At 800 pages, it at first appears to be a daunting read. What could be more boring than the life of an aristocratic French mama's boy never to earn more than a few Francs on his own until way past 30 years. It is hardly boring. Proust was an exceedingly complex person. (Aren't we all?) Proust was plagued by asthma that his doctors kept assuring him was psychosomatic in origin, and in some wisdom, he knew to be otherwise. Living at home totally supported by his mother and father, he lead an extravagant lifestyle, often leaving what amounted to $200.00 tips to the carriage driver. It was a salon society and Proust was a member of perhaps dozens. We tour the various salons and their status climbing members and hosts. In Carter's thorough biography we get to see the society of Proust in much the same way as he saw it.
Letters and more letters! This was the time and place of letter writers but, whew! Proust would write as many as three letters a day to his mother while living in the same house. Letters to friends, lovers, enemies. Gads, it hardly seems like there was time for anything else.
Some times the story of Proust becomes surreal. It appears that being a critic in this time in France was almost a death defying act. Trash a play or book and you were likely to be challenged to a duel. Well a sort of a duel, as by this time the duel was important but nobody was aiming to kill. Proust had his manhood challenged by a critic. Proust challenged the critic to a duel and it was accepted. The time and place was 9:00 am in a woods outside of Paris. Proust instructed his seconds to rearrange the time to 3:00 pm in the afternoon as 9:00 am was not a time when decent persons were up and about. Proust's bullet strucked the ground inches from his opponent indicating he was shooting to kill. Quite a dangerous mama's boy.
Carter handles Proust's sexuality in a refreshing and matter of fact way. Neither making him into a homosexual hero as some have done with Wilde -- though Wilde can take the blame for much of that himself -- nor treating him as some sort of sexual misfit. Sexuality permeated Proust's life and it often had no gender associated with it, he was often smitten with the women surrounding him as much as the men. Carter can be commended for his sensitive portrayal of this essential part of Proust's life.
If Proust is your interest, or if fin de siecle France is, this is a not to miss book. At 800 pages it is quite and investment in time -- it's a bargain in dollar per word! -- but if this era is your interest, it is well worth the investment.
50 of 54 people found the following review helpful.
The Finest Yet
By A Customer
William C. Carter's new biography of Marcel Proust is the finest yet. With a strong narrative line and a profound and sensitive understanding of the writer and his work, it carries us along like a great novel. Drawing on resources unavailable to George Painter (whose biography was for years the standard reference), Carter is able to fill in the gaps with entries from Proust's letters and those he received from friends and editors. Marcel Proust was almost certainly the pivotal literary figure between two centuries, a writer of great courage and humor, and it is to Carter's credit that now, as we stand on the edge of yet another century, Proust is seen to be as relevant to our age as he was to his own. This, certainly, will become the standard life of this very important writer.
25 of 26 people found the following review helpful.
Life of a Brilliant Novelist
By David A. Caplan
Having read George Painter's two-volume biography of Proust many years ago, I might be unfair in comparing it to Carter's new biography, but my impression is that Carter has vastly outdone Painter. He has managed to write a very detailed, yet quite readable and engrossing biography of Proust. I think that conflating Proust and the narrator of "A la recherche..." has tended to diminish the author's genius, as if he had merely written a fascinating autobiography. Carter confirms Proust as a novelist, not a memoirist. Certainly, he helps the reader understand who may have inspired Proust's characters, but makes clear that Proust's imagination was the main engine behind the world he created. Some readers might be disappointed that there isn't more literary analysis of "La Recherche" in this biography, but Carter is adept at presenting passages from the novel that are representative of its genius and beauty. I'd also like to mention that the book is physically attractive, with a handsome typeface, and that there are very few typos and grammatical errors.
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