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"No-No Boy has the honor of being the very first Japanese American novel," writes novelist Ruth Ozeki in her new foreword to John Okada's classic of Asian American literature. First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. It was not until the mid-1970s that a new generation of Japanese American writers and scholars recognized the novel's importance and popularized it as one of literature's most powerful testaments to the Asian American experience.
No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys." Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle. As Ozeki writes, Ichiro's "obsessive, tormented" voice subverts Japanese postwar "model-minority" stereotypes, showing a fractured community and one man's "threnody of guilt, rage, and blame as he tries to negotiate his reentry into a shattered world."
The first edition of No-No Boy since 1979 presents this important work to new generations of readers.
Replaces ISBN 9780295955254
- Sales Rank: #33085 in Books
- Published on: 2014-06-11
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .60" w x 5.51" l, .70 pounds
- Binding: Paperback
- 282 pages
Review
"Asian American readers will appreciate the sensitivity and integrity with which the late John Okada wrote about his own group. He heralded the beginning of an authentic Japanese American literature."―Gordon Hirabayashi, Pacific Affairs
"Nisei will recognize the authenticity of the idioms Okada's characters use, as well as his descriptions of the familiar Issei and Nisei mannerisms that make them come alive."―Bill Hosokawa, Pacific Citizen
"[This new edition] brings Okada's groundbreaking work to a new generation . . . an internee and enlisted man himself, [Okada] wrote in a raw, brutal stream of consciousness that echoes the pain and intergenerational conflict faced by those struggling to reconcile their heritage to the concept of an American dream."―Nancy Powell, Shelf Awareness
"It is both an important document of Japanese American and Pacific Northwest history and a compelling novel."―Emily Lutenski, Pacific Northwest Quarterly
About the Author
John Okada was born in Seattle in 1923. He served in the U.S. Army in World War II, attended the University of Washington and Columbia University, and died of a heart attack at the age of 47. No-No Boy is his only published novel.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Easily one of the best books I have ever read ...
By H. Evans
Easily one of the best books I have ever read (I studied English in college. I've read a LOT of good books, including this one which was an assignment for an Asian-American literature class), extremely well-done and thought provoking. John Okada deserves more recognition as an author and i'm just very glad that there's finally a Kindle version available for this.
A lot of my classmates didn't like this book, but it was a very small class so I have a basic theory as to why:
They were fairly sheltered and they missed its point.
This is the only book I've studied where people didn't agree on the tone of the novel - generally, whether people like something or not, they can concede that it's hopeful, or dark, or terrifying, or what have you. I saw this book as dark but ultimately hopeful; those who didn't like it just saw the darkness...which is especially interesting to me because we started the semester reading America Is In The Heart, which is one of the most depressing novels I've read. We all agreed on that one. so why did this one cause such controversy?
Maybe it's honestly just because it's written better. Okada is very talented and very complex, there's a lot of nuance in this and a lot of conclusions that could be drawn from the characters and what they say and do. If you're leery about paying money for this, maybe try a library first. It's not a long book and a pretty quick read, no dragging descriptions or flowy language. I got right into it and finished it in less than a week, and I've read it 5 or 6 times in 3 years. Love it or not, in my opinion, it's a work of genius.
4 of 4 people found the following review helpful.
beautiful, accessible
By Elaine S. Apthorp
Passionate, candid, fierce, eloquent, beautiful, accessible, and profound, John Okada's masterpiece explores the predicament of the Nisei in the wake of the Internment of Japanese Americans during World War II, with breathtaking empathy for all concerned. I teach this one every year to my American Lit students, for approximately a thousand reasons. Truly great work.
2 of 2 people found the following review helpful.
While John Okada’s novel could be read for its historical ...
By Rachel
While John Okada’s novel could be read for its historical perspective on the internment of Japanese-Americans and their experiences post-WWII, it was not written as a historical novel. No-No Boy was published just over a decade after the end of the war and is a vibrant, fresh exploration of the complex issues of identity (ethnic/cultural/racial/national).
With his cast of characters Okada is able to get at the reality and illusion of identity. Not only does he portray Ichiro’s struggle, but each character is also caught in his own struggle for identity, so that he become a symbol of himself. This is the ultimate paradox of the “identity crisis”.
No-No Boy was well ahead of its time and remains so. I read it looking for insight into the experience of others who find themselves outside the dominant social order. Okada is unflinching and accurate in his portrayal of the intersection of identity. The book may have been written more than half a century ago, but not very much has changed. The players might be different but its still the same game
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