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A History of Gay Literature: The Male Tradition, by Dr. Gregory Woods
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While many books have been written about gay writing, this is an account of male gay literature, across cultures, languages, and from ancient times to the present. Working within the widest definitions of what constitutes gay literature, it includes chapters on the significant periods of cultural history (the Greek and Roman civilizations, the Middle Ages, the European Renaissance, the American Renaissance and the 20th century), on major writers (Marlowe, Shakespeare, Proust, Wilde) and on common themes (boyhood, mourning, masturbation). A work of reference as well as a history of a tradition, it covers a large field in terms of time (from Homer to Edmund White), literary status (from cultural icons like Virgil and Dante to popular novelists like Clive Barker and Dashiell Hammett), and location (from Mishima's Tokyo and Abu Nuwas' Baghdada to David Leavitt's New York). The book also deals with representations of male-male love by writers who were not themselves homosexual or bisexual men. It also addresses gaps, such as the lack of a substantial literature of the gay holocaust and the dearth of gay writing in post-colonial African poetry. In the breadth of its scope, the book confronts trends in Anglo-American gay studies, both by insisting on the internationalism of homosexual culture and by reasserting a continuity of homo-erotic traditions between the ancient world and the present. Furthermore, by declining to focus only on the most obvious authors and texts, Woods succeeds in both widening the gay canon and reminding us of the large variety of gay works within the mainstream. What emerges is a gay male literature that is far from peripheral to the world's major cultural traditions. This work celebrates the complexity of the literature that gay men write, read, and offer to the broadest market.
- Sales Rank: #2391121 in Books
- Published on: 1998-02-17
- Original language: English
- Number of items: 1
- Dimensions: 1.34" h x 7.07" w x 10.04" l,
- Binding: Hardcover
- 464 pages
Amazon.com Review
The very idea of a unique tradition of gay-male writing began relatively recently. Early in the 20th century, homosexual writers began to write more honestly. Yet writers, both gay and straight, have written about the experience of homosexuality since ancient times. In his encyclopedic overview, Gregory Woods has knitted together a transhistorical and transcultural history--a tradition--of gay-male writing over the centuries. Using a broad but readily applicable definition of gay literature that includes works by openly gay men, works in which homosexual activity occurs, and works that manifest a gay "sensibility," Woods manages to move us from Homer to David Leavitt, from Arabic poets of the classical age to contemporary South African poetry, from closeted Victorian memoirs to AIDS literature. By its nature, A History of Gay Literature lacks the specificity of critique that illuminates individual work, but this approach is more than compensated for by the book's ability to locate and discuss amazing similarities of experience and expression throughout history and culture. Highly intelligent, jauntily written, and endlessly informative, A History of Gay Literature is an impressive addition to contemporary gay scholarship.
From Publishers Weekly
Woods's (Articulate Flesh: Male Homo-Eroticism and Modern Poetry) dense but rewarding history has a lofty aim: "queering the canon." Starting with the man-boy love of Greek classics, this academic text focuses on homoeroticism in the literary imagination. But Woods does more. By analyzing attitudes about homosexual men, he looks at the homophobic ideologies that poetry and prose have encouraged throughout history. While there is not enough information on the role of religion in classifying sodomy as sin, Woods demonstrates that as early as the 12th century, hostility against man-to-man love was evident. But despite the linking of homosexual love with shame and repentance, it formed a culture?described by writers as diverse as Aristophanes, Rumi, William Shakespeare, the Marquis de Sade, Walt Whitman, Federico Garcia Lorca, Langston Hughes and Jane Austen?that held on. Woods's commentary about the Nazis and about the popular postwar belief that fascism developed because of Germany's tolerance of "sexual perversion" is eye-opening, as is his deconstruction of 1950s crime fiction, which routinely depicted gay men as deviants. Woods moves his readers into the decades since Stonewall and scrutinizes writing that deals with gay pride as well as AIDS. Throughout, his point that homoerotic traditions are a literary constant is well-taken and persuasively argued. Woods makes inroads in defining queer culture and illuminates the essential role gay men have played in the Western canon.
Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews
These finely honed gay readings of selected Western (and some Eastern) literary texts richly reward the careful attention they demand. Woods (Gay & Lesbian Studies/Nottingham Trent Univ., England) extracts the full interpretive mileage to be had from ideals of ambiguity, paradox, and perspective. This is already evident in the structure of the book, which approaches its subject from diverse angles, both chronological and thematic. Separate chapters address, among other topics, the Greek classics, the Middle Ages, Shakespeare, Proust, the Holocaust, women writers, masturbation, boyhood, and the political left. That such a far-ranging gay-themed book is possible at all owes to an ambiguity in the notion of gay reading: A text's status as gay may depend either on the sexual identity of its author or on its susceptibility to placement in interpretive contexts of homosexual attraction. Thus, while the very idea of a canon of gay writing depends on a tradition of gay authorship, a gay reading of Shakespeare's ``fiendishly ambiguous'' Sonnet 20 stands apart from the (contested) sexual identity of its writer. Woods acknowledges and affirms this tension by publishing his book with a major university press, while implying by his frequent intimate use of the selectively embracing, ``us'' that most, if not all of his readers are surely gay. The final brilliant chapter, ``Poetry and Paradox,'' weds the social subversions of paradox typical of all minority groups (compare, from a Jewish perspective, Leo Strauss's Persecution and the Art of Writing) to the heights of poetic art. Woods's own artistry is evident throughout this elegant and startling book, especially in the memorable turns of phrase (e.g., in the chapter ``The Family and Its Alternatives'': ``Outlaws and inlaws are simply not compatible''). Though grounded in the particulars of gay male identity, this masterpiece of literary (and social) criticism calls across the divides of sex and sexual orientation. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
11 of 13 people found the following review helpful.
An important, major survey that reads like a great history !
By Grady Harp
Poet and author Gregory Lewis has given us one of the more readable compendiums tracing the birth and maturation of gay themes and styles in literature. Many authors have approached this task as a sensational "outing" of famous writers whose true sexual preferences will always be shrouded by the curtain of history. Lewis has chosen to deal with actual portions of writings in a scholastic method that creates a credible case for his choices of inclusion in the lineage of gay writers. Infused with brief descriptions of the social history of the times he is describing (Greek, Roman, Middle Ages, Shakespeare/Marlowe, Melville, Whitman, Wilde, Forster, Genet, Gide, Holleran, Leavitt, Monette, Auden, Rechy, etc), he lays the timely mores for interpreting the written word and in doing so does not preach to his readers. And though this book is heavily footnoted, researched, and extensive in its coverage of known and less known writers, it is eminently readable! Lewis is not afraid to let us know when his "opinion" versus "cold fact" is being stated; he allows us to grow to understand his method of decision making and is generous in his quotations of passages that support his claims. For the reader who wants a gossipy book of "Secrets of the Closeted Writers" this is not the resource. For those who want to examine the works of Thomas Mann, Shakespeare, E.M. Forster, Henry James, Plato, Socrates (the list is endless) in an erudite manner, welcome to the feast. Lewis is a gifted historian, social commentator, and gentle philosopher. And this book is one to read over an unhurried, extended period of time. There are riches here to savour as you read and for later as a reference volume of considerable significance.
7 of 12 people found the following review helpful.
Woods Gay Literature Creates a Foundation for Gay Identity
By A Customer
This is an exsquisite book. The clarity and detail is sparkling and inspiring. The value of gay literature is featured free of the impedimenta of things nearly gay. The sense of self for gay men is affirmed not by rhetoric, but by the delving into the solid canon of gay literature across time, and in modern times. As each of the authors or works is mentioned a secret part of the gay self shouts, "Yes!" It is a book taking much of what we only knew in our preconsciousness and making it dance in the light. I had the feeling that my lifetime of reading works which "spoke" to my gay life had been redeemed and legitimized by one of my own brothers. It allows the reader to weigh his own consciousness against a mighty fine measure, a measure which both confirms and invites art.
The language of Gregory Woods is pure, beautiful, and excitingly holy.
glenn guillory
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