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Venice & the East: The Impact of the Islamic World on Venetian Architecture 1100–1500, by Deborah Howard
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As European cities such as Venice looked further afield, not only for material goods, but also for artistic inspiration and information on new technologies and ideas, they inevitably came into contact with a great many new cultures. In this book Deborah Howard explores the experiences of Venetian merchants and travellers in the East and the influences that were brought to the city from the Islamic cultures encountered. The study is based on the literature of travellers, objects, buildings and architecture, documents and manuscripts, and takes a thematic look at the city: San Marco, the Merchant City, palaces, Palazzo Ducale, the Pilgrim City.
- Sales Rank: #481623 in Books
- Published on: 2000-09-10
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x 9.50" w x 1.00" l, .0 pounds
- Binding: Hardcover
- 300 pages
Review
"[A] brilliant study . . . reopens modern eyes to Venice much as John Ruskin did for the Victorians. With superb illustrations." -- The New York Times Book Review
From the Inside Flap
Precious spices and textiles, imported from distant trading posts in the eastern Mediterranean, stocked Venetian markets in the Middle Ages; but Venice's merchants imported more than material goods from the East-they acquired also a wealth of visual ideas and information from Muslim culture. This lively and richly illustrated book investigates the influence of oriental trade and travel on medieval Venice and its architecture. Architectural historian Deborah Howard examines the experiences of Venetian merchants overseas, focusing on links with Egypt, Syria, and Palestine, as well as with Persia and the Silk Route. She argues that many Venetians gained insight into Islamic culture through personal contacts with their Muslim trading partners. Based on wide-ranging multidisciplinary research, this book examines the mechanisms that governed the exchange of visual culture across ideological boundaries before the age of printing. Howard explores a range of building types that reflect the impact of Islamic imagery, paying special attention to two icon buildings, San Marco and the Palazzo Ducale. She considers the complexities of importing Muslim ideas to an unambiguously Christian city, itself the point of embarkation for pilgrims to the Holy Land.
About the Author
Deborah Howard is reader in architectural history at the University of Cambridge and fellow of St. John's College, Cambridge, England. She is chairman of the Society of Architectural Historians of Great Britain (1997-2000). Her books include Jacopo Sansovino: Architecture and Patronage in Renaissance Venice, published by Yale University Press.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Venice - the Hong Kong of its time
By G. Kennedy
Venice is nothing like the rest of Italy ... everyone can see this ... instead of looking below the surface most people just describe it as "magical" . Having been there numerous times, it has clear influences from the Islamic world. I also have not seen much that is truely Gothic in the rest of Italy for that matter ... Milano Cathedral being the only real example I've seen.
This is a very good book, and anyone who believes that Gothic (with its pointed arches, etc) is not derived from Islamic architecture needs to do some travelling (outside of Europe), and stop believing in magic.
Tourists heading to Venice should read this book - and "A History of Venice" by J.J.Norwich and look at the photos (not text - which was translating by Babelfish methinks) in "Palaces of Venice" by A.Fasolo.
You will then know that it was a maritime empire populated by entrepreneurial merchants, that made loads of money from having a virtual monopoly of the spice trade from the east (Islamic countries) to Europe, to fund the building of all these great buildings.
This all came to an end when Portugal found another way to the east and bypassed Venice. Not unlike Hong Kong being bypassed by Shanghai today.
0 of 0 people found the following review helpful.
Five Stars
By Richard J. King
Awesome!
26 of 29 people found the following review helpful.
Venice's love affair with the Orient
By A Customer
Clearly one of the best art books of the year, Venice and the East traces the impact of Islamic art on the Venetian imagination -- as evident in its architecture. Though stunning illustrations that compare Venetian and Islamic architecture and a well-written text based on primary sources, author Deborah Howard shows that, in the heyday of Levantine trade, Venetian merchants brought back more than spices and cotton from the Islamic world. They also brought back visions of paradise: Islamic styles in gardens, courtyards and palaces that evoked not just Eastern sensuality but also biblical grandeur and spirituality. Although Howard gives ample attention to the borrowing of specific architectural motifs -- balconies, crenellated walls and ogee windows -- she goes well beyond a cataloging of borrowed style. This is, most of all, a study in cultural assimilation -- of ideas as much as architectural form -- and is well worth treasuring whether your passion runs to architecture, history, sociology, or more simply: to gorgeously illustrated coffee table books.
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