^^ Fee Download The Expression of the Passions: The Origin and Influence of Charles Le Brun`s "Conference sur l`expression generale et particuliere", by D

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In 1688, Charles Le Brun, a French academician, delivered a lecture on expression that was so popular it was published in sixty-three separate editions and influenced all on of the subject throughout Europe for over a century. This book reconstructs and translates the text of the lecture, explores the context in which it was conceived, delivered, received, and finally rejected, and reproduces the images that accompanied the lecture. Jennifer Montagu shows that Le Brun's theory of expression covered more than just the facial expression of the passions. It was, in fact, based on the psycho-physiological theories of Descartes and included both a recognition of the expressive potential of colour and landscape setting and also a highly sophisticated physiognomic system. Montagu examines Le Brun's detailed instructions on how to evoke expression in the light of modern psychological investigations of our ability to recognize facial expressions and the particular problems posed by static images of what is essentially, a movement of the muscles. She compares Le Brun's lecture to earlier writings on expression, from Socrates through Igonardo, and to theories of expression elaborated for other arts, such as rhetoric, music, drama, and the dance. She also explores the popularity of the lecture until the 19th century, when anatomists and naturalists began to look anew at the problem of expression. Appendices examine such questions as the exact date of the lecture and list all known editions.

• Sales Rank: #3656086 in Books
• Published on: 1994-09-10
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .93" h x 8.80" w x 10.76" l, 2.37 pounds
• Binding: Hardcover
• 248 pages

Language Notes
Text: English, French

Most helpful customer reviews

8 of 8 people found the following review helpful.
Utterly Fascinating!
By J. Duncan Berry
BRAVO!

Absolutely fascinating exploration of pre-modern theories and representations of the passions (emotions). It is amazing to see how artists anticipate neuroscientific truths regarding the expression of human emotions both two-dimensionally (on the face) and three-dimensionally (in body language and the rhetoric of gesture).

Well worth the wait for the final editing of Ms. Monatgu's 1959 doctoral dissertation under the late Sir Ernst Gombrich.

A pity that Dr. Montagu was unable to entend her reach into more recent periods, including the impact of Darwin and Warburg on the understanding of emotion in aesthetic experience in more recent times!

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^ Ebook The Stolen Legacy of Anne Frank: Meyer Levin, Lillian Hellman, and the Staging of the Diary, by Ralph Melnick

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As one of the first American journalists to enter the newly liberated concentration camps in the closing days of the Holocaust, Meyer Levin wished the world to know of the horror he had found. Seizing upon Anne Frank's Diary as a poignant voice to tell the tale, he helped to arrange for its American publication and secured from Anne's father the right to adapt it for the theater. But Levin's overtly "Jewish" treatment was rejected in favor of a play with a universal message, conceived by Lillian Hellman and others in her circle. Anne's thoughts about her Jewishness were distorted, omitted, and reworded in this new version, and Levin was convinced that a conspiracy existed to delete the Jewish elements from the diary. He spent the rest of his life protesting this suppression of Anne's legacy and fighting for the right to produce his own play. Now Ralph Melnick draws on material never used before - including papers of Lillian Hellman, Otto Frank, and other key players - and substantiates Levin's claims.

• Sales Rank: #2806249 in Books
• Published on: 1997-08-25
• Original language: English
• Number of items: 1
• Dimensions: 1.05" h x 6.36" w x 9.56" l, 1.44 pounds
• Binding: Hardcover
• 290 pages

From Library Journal
Melnick (library director and instructor of religion, William Northampton Sch., Massachusetts) focuses here on the obsession of journalist and thwarted playwright Meyer Levin in bringing to the world Anne Frank's story. Levin believed he had the rights to bring to life the stage production of the Diary as Anne Frank had meant it to be, after repeated discussions with her father. Otto Frank rejected Levin and his proposed work, hiring instead Frances Goodrich and Albert Hackett, a husband-and-wife team whose version was "safe." This purported bastardization of Anne Frank's diary led to Levin's 30-year obsession, which consumed him. Melnick gives every detail of the affair (too much for general readers), convincingly enough to refute Lawrence Graver's recent An Obsession with Anne Frank (Univ. of California, 1995). For those who never questioned the completeness or accuracy of Anne Frank's Diary, the resulting arguments and revelations are enlightening, yet "the Diary, now 50 years old, remains astonishing and excruciating."?Kay Meredith Dusheck, Univ. of Iowa, Iowa City
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews
A painstakingly detailed account of the long and bitter battle over the American stage adaptation of Anne Frank's famous diary. Melnick, a religion instructor at Williston Northampton School, has sifted through thousands of pages of correspondence and legal briefs to trace how novelist Meyer Levin shepherded the diary to an American publisher, gave it prominence with a New York Times review, first suggested it be adapted for Broadway in 1951, and wrote a faithful theatrical version. However, Otto Frank, Anne's assimilationist father, was persuaded to reject his version in favor of the husband-and-wife team Frances Goodrich and Albert Hackett and producer Kermit Bloomgarden. All three were close to Lillian Hellman, who helped with the last few of the eight drafts of the play. Although the production was a major success and earned a Pulitzer, Melnick convincingly demonstrates that Levin was fully justified in his charge that they de-Judaized Anne Frank's diary. For example, Anne's words, ``Perhaps through Jewish suffering, the world will learn good,'' were revised in the play to ``Jews were not the only ones who suffered from the Nazis.'' Melnick also documents how unrelenting the playwrights and producer were in ``suppressing'' Levin's play, which first saw the light of day in the US in a 1972 student production. Melnick also recounts how the Levin-Hellman feud became entangled in the politics of McCarthyism. Finally, the reader is shown how Levin's three-decade-long crusade tyrannized his own life; at one point, Melnick reveals, Levin's long-suffering wife, Tereska, feeling she had lost her husband to his endless vendetta, tried to drown herself in the Hudson. Melnick's impressively documented work is a resounding refutation of Lawrence Graver's 1995 anti-Levin An Obsession with Anne Frank. But the author's almost blow-by-blow account of the long dispute will limit its accessibility to only the hardiest of Anne Frank, Meyer Levin, Lillian Hellman, or American theater aficionados. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Review
Melnick, who is library director and instructor of religion at Williston Northampton School in Easthampton, Mass., builds a credible case ... But a credible case does not mean an airtight one.... so many elements would have had to click for Hellman to push aside a producer and a possible playwright and then take over the reins that it strains credulity. Still, Melnick does show that once the playing field was clear, Hellman managed to dominate the proceedings and the players. -- The New York Times Book Review, Robert Leiter

Most helpful customer reviews

0 of 0 people found the following review helpful.
This is an important book that tells a story that should be widely known.
By Poetry Lover Lara
This book, in clear and compelling prose, tells an important story that many people do not know. Ralph Melnick has done a great deal of research and brings the story of how the play based on Anne Frank's diary has, to some extent, distorted her ideas. People should, of course, read the diary first, but before seeing the play or the movie, they should read this book. It tries to redress a wrong done to the memory of Meyer Levin, who was instrumental in getting the diary read by a wider audience, but who felt that the play that was based on her diary did an injustice to Anne's ideas. The book explains why Levin's play based on the diary has not been able to be shown to a wide audience. Perhaps someday that wrong may be corrected and justice done (posthumously) to Meyer Levin.

7 of 28 people found the following review helpful.
You should look at the LA Times Book Review of this Book.
By A Customer
Take a look at the LA Times Book Review review of this book, published Sunday September 28th 1997. It provides a comprehensive critique of everything that is wrong with this book at the same time as giving you a full synopsis of the story and the controversy.

1 of 2 people found the following review helpful.
Well written, but one sided.
By Jayne1955
This is a well written book, but decidedly prejudiced against Meyer Levin, not that he didn't bring some of that onto himself by insisting he knew Anne better than her father, and insisting on making a family that was by no means Orthodox (Otto Frank never even had a bar mitzvah). Suing Otto was never going to end well and that should have been obvious from the start. the face of the holocaust. I bought it with "An Obsession with Anne Frank" which is more sympathetic to Meyer, and "The HIdden Life of Otto Frank" which also touched on the subject. The truth is somewhere in between the three accounts, and it's up to the reader to make his or her own call.

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# Ebook Free Luis Buñuel: The Red Years, 1929–1939 (Wisconsin Film Studies), by Román Gubern, Paul Hammond

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The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Buñuel (1900–1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936–39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause.
    Luis Buñuel: The Red Years, 1929–1939 investigates Buñuel’s commitment to making the politicized documentary Land without Bread (1933) and his key role as an executive producer at Filmófono in Madrid, where he was responsible in 1935–36 for making four commercial features that prefigure his work in Mexico after 1946. As for the republics of France and Spain between which Buñuel shuttled during the 1930s, these became equally embattled as left and right totalitarianisms fought to wrest political power away from a debilitated capitalism.
    Where it exists, the literature on this crucial decade of the film director’s life is scant and relies on Buñuel’s own self-interested accounts of that complex period. Román Gubern and Paul Hammond have undertaken extensive archival research in Europe and the United States and evaluated Buñuel’s accounts and those of historians and film writers to achieve a portrait of Buñuel’s “Red Years” that abounds in new information.

• Sales Rank: #3373358 in Books
• Published on: 2012-01-04
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.30" w x 6.00" l, 1.30 pounds
• Binding: Paperback
• 472 pages

Most helpful customer reviews

6 of 10 people found the following review helpful.
A highwayscribery Book Report
By Stephen Siciliano
Ah science! Could you not have revealed that Luis Buñuel was no 1930s Stalinist, but rather as he remembered, a whimsical surrealist who casually meandered into filmmaking history?

No, of course not.

Instead, "Buñuel: The Red Years," straightens out the timeline put forth in the Oscar-winning director's (Best Foreign Film) endearing autobiography, "My Last Sigh," dismissing anecdotes as impossible given the evidence, blowing holes in his very memory.

Which is kind of fun when one considers how "My Last Sigh," opens with a meditation on memory:

"You have to begin to lose your memory," says the director, "if only in bits and pieces, to realize that memory is what makes our lives. Life without memory is no life at all, just as an intelligence without the possibility of expression is not really an intelligence. Our memory is our coherence, our reason, our feeling, even our action. Without it we are nothing."

Even with it, "The Red Years," implies, we may not be who we remember ourselves to be.

Authors Roman Gubern and Paul Hammond get excited when their investigation has marked a discrepancy between the story of his life, as Buñuel told it, and what some document they pulled out of the French Embassy or the checka files confirms to the contrary.

But they're not malicious about it, just doing their jobs, demythologizing the heck out of another romantic epoch.

The text begins as a typical filmography and this is because Buñuel's earliest years comprised his efforts as a surrealist and maker of films guided by the dictates of that artistic credo.

There is a detailing of the group's internal strife as it first rushed to embrace the French Communist Party, and then split when a goodly portion found the reds petty and obsessed with rules. It is an old story of factionalism over the finer points, personalism, resentment and political cannibalism that consumed the hopes of leftists the world over.

The High Pope of Surrealism, Andre Breton, broke in the name of intellectual independence. Buñuel, by contrast, joined the Spanish Communist Party and, well, enslaved himself, for a time at least, to the hard and cruel rules of Stalinism.

In "My Last Sigh," Buñuel portrays his time in '20s Hollywood as a kind of lark during which he disdained the big studio process and acted scandalously before being asked to leave.

But "The Red Years," proposes a more ambitious and careerist Buñuel picking up something of the industrial studio's techniques, because he returned to Madrid and became an all-purpose producer, set handyman, and anonymous director for Spain's first legitimate commercial enterprise, Filmófono.

In making that production house's few and popular folkloric melodramas (long tarried over here), Buñuel often pushed the director aside in order to meet his own strict deadlines and slim budgets.

The films made good money, and Buñuel kept his name out of the credits. He wanted to maintain his cachet as the "avant" creator of "Un Chien Andalou," and "L'Age D'or."

Upon the outset of the Spanish Civil War, the title "The Red Years," begins to impose itself and, while the book's latter third may clear up certain questions haunting Buñuel scholars, the turn towards a more turgid and technical read is undeniable.

Aligned with the ascendant communists in the war time Spanish Republic, the director enlisted in the espionage game while coordinating film propaganda from Paris.

The authors spend an inordinate amount of time disentangling oral and written accounts, receipts, records, letters etc., to determine the director's role in two propaganda films telling Republican Spain's story to the world, "España '36," and "España '37."

Why? Presumably because it's "The Red Years," and, once again, one can comprehend why Breton made his break, rather than get involved in this gray world of apparatchiks and quirky little dictators.

It is not without interest to see what Buñuel and his fellow travelers were thinking during tumultuous times that put the average European in harm's way.

Buñuel could have been killed at any time. The business of propaganda and serving as a conduit for money and documents in favor of the Republic was not so much a choice as an imposed duty.

Clearly, radical films purchased with the money of cosmopolitan French aristocrats were not the order of the day and so the actual Red years present thin pickings for filmophiles.

This is small-bore stuff that assumes prior reading on Eurocommunism and a deep interest in the director's political activities.

1 of 3 people found the following review helpful.
A Wretched Tome
By AC
This is truly a miserable book. The authors write in a wordy, at times incomprehensible academic style. Most of the book isn't about Bunuel at all (since actual information about the director during this period is thin on the ground) but rather about his associates, or people he might have been associated with. It jumps back and forth rather than follow a coherent timeline. But its worst offence is that the authors genuinely seem to hate their subject, and pillory him at every turn. In this sense The Red Years resembles Martin Esslin's awful book about Brecht, A Choice of Evils. Esslin couldn't forgive Brecht for the crime of being a communist: these guys can't forgive Don Luis for the same infraction, though the actual evidence that he was ever a party member is almost nil. However, his career was certainly stymied by enemies who accused him of being a commie - think Dali. Luckily they write too late to have much meaningful effect on his work! But the overall feeling of The Red Years is one of jealous spite.

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For over two hundred years, the Catskill Mountains have been repeatedly and dramatically transformed by New York City. In Making Mountains, David Stradling shows the transformation of the Catskills landscape as a collaborative process, one in which local and urban hands, capital, and ideas have come together to reshape the mountains and the communities therein. This collaboration has had environmental, economic, and cultural consequences.

Early on, the Catskills were an important source of natural resources. Later, when New York City needed to expand its water supply, engineers helped direct the city toward the Catskills, claiming that the mountains offered the purest and most cost-effective waters. By the 1960s, New York had created the great reservoir and aqueduct system in the mountains that now supplies the city with 90 percent of its water.

The Catskills also served as a critical space in which the nation's ideas about nature evolved. Stradling describes the great influence writers and artists had upon urban residents - especially the painters of the Hudson River School, whose ideal landscapes created expectations about how rural America should appear. By the mid-1800s, urban residents had turned the Catskills into an important vacation ground, and by the late 1800s, the Catskills had become one of the premiere resort regions in the nation.

In the mid-twentieth century, the older Catskill resort region was in steep decline, but the Jewish "Borscht Belt" in the southern Catskills was thriving. The automobile revitalized mountain tourism and residence, and increased the threat of suburbanization of the historic landscape. Throughout each of these significant incarnations, urban and rural residents worked in a rough collaboration, though not without conflict, to reshape the mountains and American ideas about rural landscapes and nature.

• Sales Rank: #1205869 in Books
• Published on: 2010-02-11
• Released on: 2010-03-15
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .81" w x 5.98" l, 1.20 pounds
• Binding: Paperback
• 336 pages

Review
"Stradling has given us an entirely new understanding of the complex interrelations of the urban and rural landscape. This is an excellent history."―Environmental History, July 2012

"Making Mountains is perhaps the best example yet of a small but growing literature that links urban, suburban, and rural space into a synthetic narrative of social and environmental change. Stradling neither dismisses rurality as a static and homogenous placeholder irrelevant until colonized by the suburbs nor privileges simplistic ideals, whether of wilderness or bucolic agrarianism, that do not reflect the complexity of life beyond the metropolis.. [A]n outstanding work of environmental and urban history that should remind scholars that despite the apparent distance between the two, the city and the country share a common history and a common future."―H-Net

"The main strength of this sophisticated book lies in Stradling's moving beyond stating the Catskills' importance in forming American ideals of the countryside and wilderness or describing its role in the early conservationist movement. His most sweeping conclusion holds that scholars' traditional 'imperial model,' emphasizing the dominant role of urban elites in transforming the environment, tells an incomplete story. In the Catskills, urban tourists, weekenders, and natives whose families named the landscapes together shaped― and shape― the region."―The Journal of American History

"Making Mountains [is] an engaging read [in] its focus on and exploration of the bridgeable chasm between the country and the city, the rural and the urban, the metropolis and the mountain chain, places of change and places of assumed stasis. . . . Making Mountains will be insightful for all scholars working on the friction and contentious contact zones and conditions that emerge when rural and urban realities and their cultural producers and discourses are brought into play."―Electronic Green Journal

"Making Mountains is a meticulously researched and intellectually focused piece of scholarship, but― clearly written, engaging, and full of telling anecdote― it is also designed to reach a wide audience."―New York History

Review
"For those of us who live [in the Catskills] as well as visitors, this book reminds us of the genuine advantages of the mountains and when we read the quotes from years past, we know that these qualities are still here. This is a good book to have on your shelf. . . . Making Mountains enriches the experience of the Catskills and also provides an interesting thesis on the history of the area."―Towne Crier, Livingston Manor, NY

"A pivotal work in environmental history that makes connections between issues of urbanization, resource development, land use, cultural representation, and environmental consciousness in new and provocative ways."―Marguerite S. Shaffer, Miami University

"One can discern the entire American relationship with nature through the prism of the Catskills: colonialism, subsistence agriculture, industry, ethnic segregation, and, more recently, a species of post-modern placelessness."―Karl Jacoby, Brown University

"Making Mountains is the finest modern history yet written of the Catskills-a chain of mountains that looms far larger in the national consciousness than one might think possible given their limited extent and modest height. And yet, because of the Catskills' special relationship to New York City, they became in the early nineteenth century the principal vehicle for helping Americans understand the meaning of the romantic sublime, and so shaped all subsequent American thinking about nature. David Stradling's book should interest anyone seeking to understand how rural and urban Americans have worked together to reinvent and reinterpret our national landscape."―William Cronon, University of Wisconsin-Madison

From the Inside Flap
New in Paperback--For over two hundred years, the Catskill Mountains have been repeatedly and dramatically transformed by New York City. In Making Mountains, David Stradling shows the transformation of the Catskills landscape as a collaborative process, one in which local and urban hands, capital, and ideas have come together to reshape the mountains and the communities therein. This collaboration has had environmental, economic, and cultural consequences.--David Stradling is associate professor of history at the University of Cincinnati.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Catskills Definitive
By Bill Birns
David Stradling's Making Mountains is the definitive and indispensable Catskill Mountain history, the best thing written on the Catskills in 35 years. The book is thesis driven - showing how local rural residents and city visitors collaborate to create the kind of mountain environment that serves the interests of both, and that achieves the tangible realization of our culture's conception of"mountains" envisioned by artists and writers.
The narrative is engrossing. Stradling combines a love of the Catskills and its people with academic rigor. This book is the real thing. If you are interested in the mountains, you need this book.

3 of 4 people found the following review helpful.
Making Mountains: NYC & the Catskills
By sallyforth
I am enjoying this book very much. I was born in the Catskills and I am learning so much that my parents never told me. It is very well written.Making Mountains: New York City and the Catskills (Weyerhaeuser Environmental Books)

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Draws on contemporary biographies and a wealth of hitherto unpublished archival material to illuminate the position and practice of the Baroque sculptor, to enable the reader to appreciate, understand and evaluate the sculptural monuments of the Roman Baroque.

• Sales Rank: #2102948 in Books
• Published on: 1993-01-27
• Original language: English
• Number of items: 1
• Dimensions: .85" h x 8.50" w x 10.98" l, 2.20 pounds
• Binding: Paperback
• 256 pages

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** Fee Download Vampires, Burial, and Death: Folklore and Reality, by Paul Barber

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In this engrossing book, Paul Barber surveys centuries of folklore about vampires and offers the first scientific explanation for the origins of the vampire legends. From the tale of a sixteenth-century shoemaker from Breslau whose ghost terrorized everyone in the city, to the testimony of a doctor who presided over the exhumation and dissection of a graveyard full of Serbian vampires, his book is fascinating reading.

• Sales Rank: #1763748 in Books
• Published on: 1988-09-10
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.50" w x 1.00" l,
• Binding: Hardcover
• 244 pages

From Library Journal
Barber has written a stimulating, authoritative discourse on the relationship between the historical concepts of vampires in folklore and fiction across the ages and throughout the world. To explain the underlying myraid interment and mourning practices designed to keep the dead at bay, he postulates a universal fear of the"vampire/revenant." Such fear was most probably based on universal lack of knowledge and control over fatal illness and disease, and misinterpretations of the natural (and varied) physical manifestations of death and decay in the human body. A lengthy bibliography accompanies the text. Best for academics, but for interested general readers too. Suzanne W. Wood, SUNY Coll. of Technology, Alfred, N.Y.
Copyright 1988 Reed Business Information, Inc.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Bought it by mistake
By Colonel Jenna
I actually thought I was ordering another book, but I'm quite glad that I got this one! The author is working from the naturalistic, forensic side of vampires and other revenants, something that at best gets only one chapter in other books. He clarifies the common misconceptions about 'vampires', and while using the term for simplicity's sake discusses all the sorts of European walking dead.

The forensic details are quite scientific and factual (read: graphic), and although I have a strong stomach there was one fleeting moment where I went, "yuck". The book is not written to shock, however. The author even occasionally throws in a bit of dry humour, my favorite being his discussion of his dog's "spirit of scientific inquiry" in digging up dead things in the back yard.

I have loaned my copy to a friend who is an amateur criminalist and forensic-freak, and hope that the information in it will help us in our discussions on a certain murder investigation. As it is several years old I would suggest someone who wants cutting-edge this-year forensic science to go elsewhere. But for the vampirologist, anthropologist, or the curious, this is a great read. My friend had better give my copy back!

1 of 1 people found the following review helpful.
Complementary readings to Paul Barber's interesting book
By César González Rouco
There are already several fine reviews, so I will only suggest reading the following works (all of them sound anthropology, good to understand ourselves) in addition to Paul Barber's book: a) "Understanding Early Civilizations" by Bruce Trigger (a great comparative review of early civilizations); b) "Sick Societies: Challenging the Myth of Primitive Harmony" by Robert B. Edgerton (on primitive societies and their discontents); c) "Ecstasies: Deciphering the Witches' Sabbath" by Carlo Ginzburg (it delivers more that its title promises); and d) "When They Severed Earth from Sky: How the Human Mind Shapes Myth" by Paul and Elizabeth Barber (myths lest we forget natural disasters).

40 of 41 people found the following review helpful.
Life after death
By A Customer
Forget everything you ever heard about Count Dracula and Lestat, we are dealing with the real thing here. You won't find any pale and sophisticated lounge lizards in this book, just foul smelling revenants lumbering about in uninhabited forests - and they are much more interesting than the Hollywood vampires we know so well.
This book deals with the origins of the vampire myth and is full of information on the scientific facts and superstitions that lead people to believe that the dead weren't really dead. Paul Barber quotes many contemporary sources and first hand experiences, including a fascinating report from a doctor who supervised the exhumation of about 20 suspected vampires in Serbia. Several scientific aspects of decomposition are described in painstaking detail and the author convincingly explains why peasants, who had no knowledge of forensic medicine, believed that these corpses weren't completely dead - and it makes perfect sense. Small wonder people thought that the dead were no really dead considering the astonishing changes they sometimes go through.
This is a very interesting book, well organised and easy to read, and not as gruesome as it could have been considering the subject matter. If you're interested in knowing how the vampire myth originated this is a great place to start.

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This fascinating, richly illustrated book explores basic Precolumbian beliefs about the soul among ancient Mesoamerican peoples. It focuses on the Central Mexican Aztecs-called the Mexica-who believed in multiple souls that animated the body, gave humans their shared and individual characteristics, and survived the body after death. Drawing on a wide range of sources, including visual representations on Precolumbian monuments, colonial Spanish chronicles, early medical and travel accounts, and modern ethnography, Jill McKeever Furst argues that the Mexica turned not to mental or linguistic constructions for verifying ideas about the soul but to what they experienced through the senses. According to McKeever Furst, Mexica definitions and characterizations of the souls were influenced by their observations of human physiology-including birth, temperature changes in the body, normal aging, and the processes of death and dying-and by their experiences with their environment, specifically the lands near lakes that provided them with unusual visual and olfactory sensations (one of the souls is based on the odor of marshes). Providing as supporting evidence native beliefs about the soul in the ideologies of other Uto-Aztecan speakers ranging from the United States to Central America, McKeever Furst challenges deconstructionist theories that cultural phenomena are purely mental constructs.

• Sales Rank: #1653224 in Books
• Published on: 1997-09-23
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .55" w x 5.98" l, .83 pounds
• Binding: Paperback
• 242 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
McKeever Furst did a good descriptive job here but left me disappointed when she ...
By Amazon Customer
Quite an impressive and thorough study of the meso american concept of the soul. McKeever Furst did a good descriptive job here but left me disappointed when she decided to leave out the concept of the nahualli. The concept of the fifth element of the living being that is still very much alive in many cultures in America and now is generally known as nahual. Since it's such an important element in the indigenous concept of live she misses an important link with nowadays living cultures. And leaves an interesting investigative project unfinished.

0 of 0 people found the following review helpful.
Comprehensive and fascinating
By Edgar Martin del Campo
McKeever Furst's study of Mesoamerican souls reveals an intricate and coherent philosophy on the nature of the human body and its faculties of perception and vitality. This is an important window into Native American visions of intellect, emotion, health, and illness - and how they are intricately connected.

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? Ebook Download The Assassination of Gaitán: Public Life and Urban Violence in Colombia, by Herbert Braun

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Drawn in part from personal interviews with participants and witnesses, Herbert Braun’s analysis of the riot’s roots, its patterns and consequences, provides a dramatic account of this historic turning point and an illuminating look at the making of modern Colombia.

Braun’s narrative begins in the year 1930 in Bogotá, Colombia, when a generation of Liberals and Conservatives came to power convinced they could kept he peace by being distant, dispassionate, and rational. One of these politicians, Jorge Eliécer Gaitán, was different. Seeking to bring about a society of merit, mass participation, and individualism, he exposed the private interests of the reigning politicians and engendered a passionate relationship with his followers. His assassination called forth urban crowds that sought to destroy every visible evidence of public authority of a society they felt no longer had the moral right to exist.

This is a book about behavior in public: how the actors—the political elite, Gaitán, and the crowds—explained and conducted themselves in public, what they said and felt, and what they sought to preserve or destroy, is the evidence on which Braun draws to explain the conflicts contained in Colombian history. The author demonstrates that the political culture that was emerging through these tensions offered the hope of a peaceful transition to a more open, participatory, and democratic society.

“Most Colombians regard Jorge Eliécer Gaitán as a pivotal figure in their nation’s history, whose assassination on April 9, 1948 irrevocably changed the course of events in the twentieth century. . . . As biography, social history, and political analysis, Braun’s book is a tour de force.”—Jane M. Rausch, Hispanic American Historical Review

• Sales Rank: #1112732 in Books
• Published on: 2003-10-28
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, .90 pounds
• Binding: Paperback
• 296 pages

Review

On April 9, 1948, Jorge Eliécer Gaitán, then a popular political leader likely to become the next president of Colombia, was shot and killed by a drifter whose motivations remain obscure. Gaitán’s death touched off a spontaneous riot, known as the Bogotazo, and left hundreds dead, razed the center of Bogotá and had far reaching consequences.

About the Author

Herbert Braun is assistant professor of history at the University of Virginia. Born in Bogotá, Colombia, he has also taught at the Colegio de México in Mexico City.

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7 of 7 people found the following review helpful.
A Monumental Book
By Bert Ruiz
Professor Herbert Braun has authored a monumental book. The author leaves few stones unturned...as a result the research is absolutely profound. "Jorge Eliécer Gaitán" is a legendary Colombian populist who unfortunately is assasinated before he can fulfill his political ambitions. To this end, Braun carefully documents the fact that had he not been killed, Gaitán would have certainly won the 1950 presidential elections in Colombia.
Braun tells the complete story of Gaitán...the politician who boasted that he was not a man...he was a village. The author painstakingly demonstrates the enormous importance Gaitán played among the poor. Moreover, Braun also does an excellent job of showing how Gaitán filled a gigantic void in Colombian politics. Unfortunately, the assasination of Gaitán triggered the conflict that haunts Colombia to this day. In my professional opinion, this is an spectacular book and must be read by everyone with a special competence in Colombian - American affairs.
Bert Ruiz

5 of 5 people found the following review helpful.
An important book on Colombian politics
By A Customer
This book concisely details the impact of Jorge Eliecer Gaitan on 20th Century Colombian politics. This work begins with an account of Gaitan's days as a student and his early professional life as a lawyer. Gaitan came from a middle-middle class background and rose through the ranks of the Liberal party to eventually become its Presidential candidate in the late 1940s. Gaitan's political outlook was left-of-center and he was a champion of the lower and middle classes. Because Gaitan was the people's candidate, he was not especially liked by the Colombian oligarchy. Gaitan was assasinated in 1948 and to this day it is not officially known who the intellectual authors of that crime were. However, the people felt their candidate had been murdered by the oligarchy and this led to a brutal 10-year civil war that claimed over 200,000 lives. This is a must-read book to understand the root causes of Colombian political violence.

9 of 10 people found the following review helpful.
A stunning portrayal of the colombian political system
By A Customer
This book provides the reader with a precise insight on the evolution of Colombia's restrictive political system. In other words, the author shows the way in which this country's ruling elite have been successful in excluding the masses from major political decisions. This situation has been an influential cause for the fall of such popular figures as Jorge Eliecer Gaitan.

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~ Download Leonardo da Vinci: Origins of a Genius, by David Alan Brown

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This beautiful book presents the most complete account ever written of Leonardo's mysterious beginnings as an artist. David Alan Brown begins by examining Leonardo's first years in the Florentine workshop of the leading sculptor of the day, Andrea del Verrocchio, and then examines the paintings Leonardo completed in the early 1470s. Brown's book is a revealing and imaginative glimpse into the origins of Leonardo's sublime genius.

• Sales Rank: #2514780 in Books
• Published on: 1998-08-11
• Original language: English
• Number of items: 1
• Dimensions: 1.07" h x 11.76" w x 10.13" l, 4.25 pounds
• Binding: Hardcover
• 248 pages

From Library Journal
In an effort to understand the developmental processes that culminate in mature works, researchers have long focused on the early years of the creative genius. This may well be the first such inquiry into the young Leonardo, and Brown, an eminent da Vinci scholar and curator of Italian Renaissance Painting at the National Gallery, has done a masterly job of tracing early influences and the emergence of da Vinci's intense curiosity about nature and ability to re-create it in drawing and painting. The chapter on "Ginevra de'Benci" is a splendid example of how art history and contemporary scientific techniques can be combined in the examination and attribution of a painting. The excellent full-page reproductions and small detail examples are carefully placed within the text for ease of reference, something too often lacking in works of this type. The bibliography is extensive, and the index is a guide not only to the text but to the additional notes as well. A fine critical study accessible to both interested lay readers and scholars; highly recommended for large general collections and all art libraries.?Paula Frosch, Metropolitan Museum of Art Lib., New York
Copyright 1998 Reed Business Information, Inc.

Review
David Alan Brown illuminates Leonardo's early career better than anyone has previously. . . . His account is learned and intuitive, and he presents his conclusions in clear and fearless prose. . . . To say anything intelligent and new about Leonardo requires a great deal of looking and a certain measure of daring. Brown's book exhibits both of these virtues. -- Andrew Butterfield, New Republic

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9 of 13 people found the following review helpful.
Identifies Leonardo's Involvement With Early Paintings
By Jeff Marzano
The title of this book should probably be 'Leonardo Da Vinci Origins Of An ARTISTIC Genius'. It was the title that intrigued me and made me want to read this book. Leonardo's education and maturation process in relation to painting is really not that unusual.
This book does demonstrate with a lot of precise details how Leonardo's involvement and association with paintings from his early period can be proven or disproven. In some cases advanced scientific techniques such as x-ray analysis are cited to disprove or clarify statements made by previous authors about Leonardo's supposed involvement in various paintings. This book would be very helpful if someone was, for example, writing a paper about Leonardo's early career as far as exactly what paintings he worked on.
However the mysterious aspect about Leonardo da Vinci is not his painting which he eventually grew tired of and he sometimes didn't even bother to finish his own paintings. The mysterious thing about Leonardo is how did he all of a sudden become (at least in his own mind) an engineer, architect, scientist, etc., when he was never trained in any of these things ? How did someone who was trained as a painter and artist make that transition ? That's where the mystery deepens about Leonardo da Vinci.
As far as the books I've read so far that mystery has never been fully explained other than he was self taught. His art was very important for this transition because it allowed him to record his basically limitless ideas at a time when photography didn't exist yet.
But a good follow on to this book would be called 'Leonardo Da Vinci Origins Of A RENAISSANCE Genius' or 'Scientific Genius' or something like that.
Whether some or most of Leonardo's scientific ideas were valid is I think open to debate. But he did have some of the characteristics required for true genius which are intense curiosity, being very observant, and having almost unlimited energy. And he was a good painter, that much can be stated positively.

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