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As one of the first American journalists to enter the newly liberated concentration camps in the closing days of the Holocaust, Meyer Levin wished the world to know of the horror he had found. Seizing upon Anne Frank's Diary as a poignant voice to tell the tale, he helped to arrange for its American publication and secured from Anne's father the right to adapt it for the theater. But Levin's overtly "Jewish" treatment was rejected in favor of a play with a universal message, conceived by Lillian Hellman and others in her circle. Anne's thoughts about her Jewishness were distorted, omitted, and reworded in this new version, and Levin was convinced that a conspiracy existed to delete the Jewish elements from the diary. He spent the rest of his life protesting this suppression of Anne's legacy and fighting for the right to produce his own play. Now Ralph Melnick draws on material never used before - including papers of Lillian Hellman, Otto Frank, and other key players - and substantiates Levin's claims.
- Sales Rank: #2806249 in Books
- Published on: 1997-08-25
- Original language: English
- Number of items: 1
- Dimensions: 1.05" h x 6.36" w x 9.56" l, 1.44 pounds
- Binding: Hardcover
- 290 pages
From Library Journal
Melnick (library director and instructor of religion, William Northampton Sch., Massachusetts) focuses here on the obsession of journalist and thwarted playwright Meyer Levin in bringing to the world Anne Frank's story. Levin believed he had the rights to bring to life the stage production of the Diary as Anne Frank had meant it to be, after repeated discussions with her father. Otto Frank rejected Levin and his proposed work, hiring instead Frances Goodrich and Albert Hackett, a husband-and-wife team whose version was "safe." This purported bastardization of Anne Frank's diary led to Levin's 30-year obsession, which consumed him. Melnick gives every detail of the affair (too much for general readers), convincingly enough to refute Lawrence Graver's recent An Obsession with Anne Frank (Univ. of California, 1995). For those who never questioned the completeness or accuracy of Anne Frank's Diary, the resulting arguments and revelations are enlightening, yet "the Diary, now 50 years old, remains astonishing and excruciating."?Kay Meredith Dusheck, Univ. of Iowa, Iowa City
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
A painstakingly detailed account of the long and bitter battle over the American stage adaptation of Anne Frank's famous diary. Melnick, a religion instructor at Williston Northampton School, has sifted through thousands of pages of correspondence and legal briefs to trace how novelist Meyer Levin shepherded the diary to an American publisher, gave it prominence with a New York Times review, first suggested it be adapted for Broadway in 1951, and wrote a faithful theatrical version. However, Otto Frank, Anne's assimilationist father, was persuaded to reject his version in favor of the husband-and-wife team Frances Goodrich and Albert Hackett and producer Kermit Bloomgarden. All three were close to Lillian Hellman, who helped with the last few of the eight drafts of the play. Although the production was a major success and earned a Pulitzer, Melnick convincingly demonstrates that Levin was fully justified in his charge that they de-Judaized Anne Frank's diary. For example, Anne's words, ``Perhaps through Jewish suffering, the world will learn good,'' were revised in the play to ``Jews were not the only ones who suffered from the Nazis.'' Melnick also documents how unrelenting the playwrights and producer were in ``suppressing'' Levin's play, which first saw the light of day in the US in a 1972 student production. Melnick also recounts how the Levin-Hellman feud became entangled in the politics of McCarthyism. Finally, the reader is shown how Levin's three-decade-long crusade tyrannized his own life; at one point, Melnick reveals, Levin's long-suffering wife, Tereska, feeling she had lost her husband to his endless vendetta, tried to drown herself in the Hudson. Melnick's impressively documented work is a resounding refutation of Lawrence Graver's 1995 anti-Levin An Obsession with Anne Frank. But the author's almost blow-by-blow account of the long dispute will limit its accessibility to only the hardiest of Anne Frank, Meyer Levin, Lillian Hellman, or American theater aficionados. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Review
Melnick, who is library director and instructor of religion at Williston Northampton School in Easthampton, Mass., builds a credible case ... But a credible case does not mean an airtight one.... so many elements would have had to click for Hellman to push aside a producer and a possible playwright and then take over the reins that it strains credulity. Still, Melnick does show that once the playing field was clear, Hellman managed to dominate the proceedings and the players. -- The New York Times Book Review, Robert Leiter
Most helpful customer reviews
0 of 0 people found the following review helpful.
This is an important book that tells a story that should be widely known.
By Poetry Lover Lara
This book, in clear and compelling prose, tells an important story that many people do not know. Ralph Melnick has done a great deal of research and brings the story of how the play based on Anne Frank's diary has, to some extent, distorted her ideas. People should, of course, read the diary first, but before seeing the play or the movie, they should read this book. It tries to redress a wrong done to the memory of Meyer Levin, who was instrumental in getting the diary read by a wider audience, but who felt that the play that was based on her diary did an injustice to Anne's ideas. The book explains why Levin's play based on the diary has not been able to be shown to a wide audience. Perhaps someday that wrong may be corrected and justice done (posthumously) to Meyer Levin.
7 of 28 people found the following review helpful.
You should look at the LA Times Book Review of this Book.
By A Customer
Take a look at the LA Times Book Review review of this book, published Sunday September 28th 1997. It provides a comprehensive critique of everything that is wrong with this book at the same time as giving you a full synopsis of the story and the controversy.
1 of 2 people found the following review helpful.
Well written, but one sided.
By Jayne1955
This is a well written book, but decidedly prejudiced against Meyer Levin, not that he didn't bring some of that onto himself by insisting he knew Anne better than her father, and insisting on making a family that was by no means Orthodox (Otto Frank never even had a bar mitzvah). Suing Otto was never going to end well and that should have been obvious from the start. the face of the holocaust. I bought it with "An Obsession with Anne Frank" which is more sympathetic to Meyer, and "The HIdden Life of Otto Frank" which also touched on the subject. The truth is somewhere in between the three accounts, and it's up to the reader to make his or her own call.
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