PDF Ebook The Life and Art of Florine Stettheimer, by Barbara J. Bloemink
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The Life and Art of Florine Stettheimer, by Barbara J. Bloemink
PDF Ebook The Life and Art of Florine Stettheimer, by Barbara J. Bloemink
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This text presents an account of Stettheimer's life and art, showing that her paintings provide a social commentary on American culture of her period. It examines her youth, her life abroad, and her friendship with such influential figures as Marcel Duchamp, Charles Demuth and Alfred Stieglitz.
- Sales Rank: #1616985 in Books
- Published on: 1995-08-30
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: .93" h x 7.81" w x 9.75" l,
- Binding: Hardcover
- 320 pages
From Library Journal
Fortunately, these excellent volumes appear within a short time of each other, coinciding with a major retrospective of Stettheimer's (1871-1944) work at the Whitney Museum of American Art in New York City. They make widely available the comprehensive monographic and analytical treatment necessary to understand this little known but major visionary painter. Bloemink's study originates from doctoral research. Academically thoroughgoing, it is, nonetheless, especially well-written. Bloemink clearly displays her admiration and insight, defining the paintings as narrative, psuedo- or neoprimitive, jazzy but sophisticated, and childlike. There is commentary on saturated colors, diaphanous "cellophane" effects-imitating Florine's bedroom and studio decor-gilded and raised painted objects, etc. Duchamp's term multiplication virtuelle and Carl Van Vechten's importance to the artist are discussed. Paragraphs of less critical exegesis are found in lengthy end notes. It suffers a little from a lack of a bibliography, and, though the colorplates are abundant, much of the witty detail is lost due to the large scale of the paintings. The Whitney catalog is also fascinating, but with smaller reproductions. Sussman posits the impact of gender issues, asserting that Stettheimer's "artificiality, stylization, eccentric elegance, and sexual ambiguities" offered "an American female version of camp and dandyism that appealed to many gay admirers." Bloemink writes here on the artist's sense of temporality, indeterminate space, and adds that "the voyage of life and love is made up of isolated episodes, arranged in our memory like miniature versions of a Mozart or Rossini opera." The book concludes with Nochlin's 1980 seminal essay "Florine Stettheimer: Rococo Subversive." Highest recommendation for both volumes.
Mary Hamel-Schwulst, Towson State Univ., Md.
Copyright 1995 Reed Business Information, Inc.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Giving an important artist her due
By A Customer
In this wonderfully written book, Bloemink traces the life and work of one of the most fascinating women artists of hte 20th century. I was so excited to find a serious, comprehensive study of Stetheimer's work, and the late 19th Century European/American context in which it was written. Bloemink addresses the somewhat stiffling environment of the artist's family, and explores how her artword provided an escape while at hte same time chronicling her times with a perspicacity not seen in work by her contemporaries. An early feminist in her refusal to fulfill the roles forced on women of her time and social station, Stettheimer stands out by not using men - as spouse or gallery promoter - to further her career. An amazingly creative, analysis with sensitivity and depth. It is also interesting to learn about a woman who was socially reticent, traditional, and very private, who nonetheless carved out a significant art career. In many ways a more interesting artist than her contemporary and acquaintance Georgia O'Keeffe. Includes interesting discussions of sexuality, the role of theater, interior decoration, race and gender relations among the priviledged classes of New York during the decades after the first World War: this is not a simplistic or essentialist study but one that explores the subtleties and complexities of these issues from within the context of the times. A wonderful read for anyone intersted in women's studies or art during the period from 1890s to the 1940s.
12 of 16 people found the following review helpful.
Genius, yes, but let's not forget spinster
By A Customer
I'm reading this now, and find myself unutterably depressed by the tone of Ms. Bloemnik's writing. It's obvious she researched this dedicated, dynamic, gifted painter and early feminist, but the book so far is pepperred with stupid, defeatist comments about why Florine never married- even as it cites Florine's own dislike of marriage in favor of her career and her vision of herself as dedicated to painting.
Check this out:
"Indeed, as with certain male artists, most of Stettheimer's energy went into formulating and creative work. It is not clear to what extent this was the result of an overwrought nineteenth century modesty, a desire to remain perpetually a young maiden (not married, childless), or anger against men and fear of marriage because of her father's desertion."
Or maybe, say, she wanted to paint instead of having children. It was, after all, the late 1890's. Ms. Bloemnik says that Ms. Stettheimer considered herself a feminist and a serious professional painter and that she thought marriage and children would hinder her ability to paint, but in sentences like the gem I've just quoted, she makes it clear that it must, after all, have come down to neurosis.
I'm a woman artist, and I'm inspired by Florine Stettheimer, but I'm also really scared that someone like Ms. Bloemnik, (who clearly thinks she is a feminist) will promote my work. It seems like Florine Stettheimer got more of a break in her own time than she did in this one.
MS. Bloemnik, by the way, has written all the books on Florine Stettheimer, and is now the new director of the Guggenheim Los Vegas. And she recently wrote about Barbara Bloom, Lisa Yuskavage (!), and Laurie Simmons. God help them.
11 of 12 people found the following review helpful.
Left wanting to know more of who this fanciful artist was...
By A Customer
Just finished this book last night and am left wondering who this incredibly gifted, decorative woman was. Her sister Ettie remains in my mind a jealous monster for having taken her scissors to much of Florine's personal papers and diaries...this is such a shame as we will never know the personal, driving force behind this talented woman. Reading about Florine felt more like reading about a vauge ghost...I just know there was so much more. The author did her best to unearth and explain this woman and her art but it felt more like I was reading someone's academic assignment, a master's theisis. However I am glad that this book was written....the pictures inside are incredible and allow a glimpse into the magical quality of this very important female artist the lovely Florine Stettheimer.
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