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Shared Pleasures presents the first comprehensive history of how Americans have watched their favorite movies. Douglas Gomery tells the complete story of the film exhibition business, from the humble nickelodeon to movie palaces to today's mass markets of cable TV and home video rentals. Along the way Gomery shows us how the American economy and society altered going to the movies.
Shared Pleasures answers such questions as: How and where have Americans gone to the movies? What factors prompted the growth of specialized theaters? To what extent have corporations controlled the means of moviegoing? How has television changed the watching of motion pictures? Gomery analyzes social, technological, and economic transformations inside and outside the movie industry-sound, color (and later, colorization), television movies, cable movie networks, and home video, as well as automobiles, air conditioning, and mass transit. He traces the effects of immigration, growing urban and suburban cultures, two world wars, racial and ethnic segregation, and the baby boom on the movie theater industry, noting such developments as newsreel theaters and art cinemas.
- Sales Rank: #6203281 in Books
- Published on: 1992
- Number of items: 1
- Dimensions: 7.93" h x 5.00" w x .34" l,
- Binding: Hardcover
- 381 pages
From Publishers Weekly
Gomery ( The Hollywood Studio System ) has filled a huge gap in the history of motion pictures in America. In this exhaustive volume, he deals with movie distribution and presentation, a subject almost completely overlooked in scholarly treatment of the medium. The first of the book's three sections is a history of movie display from nickelodeons to VCRs. Of particular interest here is the evidence that television was not responsible for the decline in moviegoing. The second section deals with specialty operations, including art-house cinemas and theatres for African-Americans. The final section looks at the effect of technological innovations, from the emergence of sound to wide-screen movies to the advent of home video. Written in a conversational style, the book should appeal to a wide range of movie fans. Tracing the impact of child-bearing patterns, the rise of the suburbs and shopping malls and America's automobile culture as seen in the form of drive-in theaters, this volume is as much a social history of the U. S. as it is a history of movie exhibition. It will become a standard for anyone interested in a complete ``picture'' of our true national pastime.
Copyright 1992 Cahners Business Information, Inc.
From Library Journal
Gomery, author of The Hollywood Studio System ( LJ 1/86), again writes about the economic history of the movie business. His thorough and valuable research covers elements like distribution, theater chains, sound, color, wide-screen double features, television, cable, home video, even air conditioning and popcorn. The industry that caters to the society's current tastes also initiates social change, Gomery demonstrates. He makes an attempt to steer film history away from the usual Hollywood-centered, content-based scholarship. In the end he offers no real challenge to the validity of other types of film writings, but acquires a rightful niche that rounds out the extant work. Recommended for special film collections and large academic libraries.
- Brian Geary, West Seneca, N.Y.
Copyright 1992 Reed Business Information, Inc.
Review
"By studying film exhibition, Gomery shows how the Hollywood film industry adapted its business policies to diversity and change within American society. . . . Despite the book's concern for broad trends, it keeps firmly before us the concrete experience of moviegoing. Gomery initiates us into the training of ushers in picture palaces, the tactics of games and giveaways during the Depression, and the business logic of 1950s kiddie matinees. We even learn the history of popcorn." —David Bordwell, from the foreword
Winner of the 1993 Theatre Library Association Award
"No existing book covers the fascinating terrain this work surveys. Ambitiously conceived and prodigiously researched, Shared Pleasures should change the way motion picture exhibition in the U.S. is conceived by film scholars and industry analysts alike." —Charles Wolfe, University of California, Santa Barbara
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Great book!
By Lázaro Manuel Silva
Great book and a very good seller! Hope we meet again.
Lázaro Silva
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