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Long before Stonewall, young Air Force veteran Edward Field, fresh from combat in WWII, threw himself into New York’s literary bohemia, searching for fulfillment as a gay man and poet. In this vivid account of his avant-garde years in Greenwich Village and the bohemian outposts of Paris’s Left Bank and Tangier—where you could write poetry, be radical, and be openly gay—Field opens the closet door to reveal, as never been seen before, some of the most important writers of his time.
Here are young, beautiful Susan Sontag sitting at the feet of her idol Alfred Chester, who shrewdly plotted to marry her; May Swenson and her two loves; Paul and Jane Bowles in their ambiguous marriage; Frank O’Hara in and out of bed; Fritz Peters, the anointed son of Gurdjieff; and James Baldwin, Isabel Miller (Patience and Sarah), Tobias Schneebaum, Robert Friend, and many others. With its intimate portraits, Field’s memoir brings back a forgotten era—postwar bohemia—bawdy, comical, romantic, sad, and heroic.
- Sales Rank: #2281582 in Books
- Published on: 2005-12-09
- Original language: English
- Number of items: 1
- Dimensions: 1.05" h x 6.27" w x 9.30" l, 1.26 pounds
- Binding: Hardcover
- 302 pages
From Publishers Weekly
Poet Field has been in the midst of Greenwich Village's bohemian life since 1946, when he moved there, fresh from the armed forces, at the age of 22. These 25 short essays and sketches ramble nicely over the years and through his friendships to form a memoir that is more nostalgic than intellectually vigorous. The thread that connects most of these chatty stories is Field's close relationship with the enigmatic, unstable Alfred Chester, a writer of elegant, rarefied fiction who throughout his life and after his death in 1971 has maintained a cult status as a writer's writer. It's Chester, with his intense relationships with Cynthia Ozick, Harriet Sohmers and Susan Sontag—whom he, possibly skirting a mental breakdown, had decided to marry even though he was a homosexual—who takes up the emotional bulk of Field's memoir and whose vivid image lingers. While Field write of his own career, it is always modestly. At times elusively vague but often very charming, this volume will be of serious interest to anyone intrigued by New York literary life of the 1950s and '60s. (Feb.)
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Review
“Such fine writing, such style, and also, an eye and ear for what we want to see and hear. Edward Field fills in a big gap and offers some deeper ideas about what created some of the great writers and artists of our time. After reading a chapter, I feel like I’ve just had a martini with Edward Field.”—Brian Bouldrey, author of The Boom Economy
“Edward Field’s memoir vividly recounts the story of New York bohemian life since the fifties, a world that is now gone. With its tell-all bluntness and gossipy intimacy, it brings to life—as no other work that I know—the spirit of gay bohemia.”—David Bergman
About the Author
Edward Field’s poetry collections include the Lamont Award–winning Stand Up, Friend, With Me; Counting Myself Lucky: Selected Poems, 1963–1992, which won a Lambda Literary Award; and A Frieze for a Temple of Love. Field is the editor of the Alfred Chester Newsletter, and with his partner, Neil Derrick, is coauthor of the novel The Villagers. Field received a Bill Whitehead Lifetime Achievement Award in 2005. He lives in New York City.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Informative and Nostalgic
By cprkwy8
I have a particular interest in this author, in some of the people and the times he writes about and in Greenwich Village. I also like his writing. I ordered this book after reading about him in Diana Athill's book.
15 of 15 people found the following review helpful.
memoir of the 1950s and Beat era mostly in Greenwich Village
By Henry Berry
Field, an award-winning gay poet now in his seventies, brings the bohemianism of the 1950s alive. The content is a reminiscence made up mostly of vignettes of individuals Field knew rather than literary or social history; though the impress of the bohemianism centered in Greenwich Village on American literature and culture comes out. Susan Sontag, James Baldwin, May Swenson, Paul Bowles, and Frank O'Hara all make appearances, along with numerous other famed artists and little-known, yet still colorful individuals including the author's partner Neil Derrick. The six-page index consists entirely of the names of individuals Field portrays to varying degrees. Much of the memoir focuses on the sexual escapades and relationships of many characters and how the author and others got by as homosexuals in this era when this was not as open as it is today, yet nonetheless accepted in the limited, adventurous world of Greenwich Village. For Field's position in the local art scene, his wide circle of friends and acquaintances, and his extended treatment of the libertine sexual activity, the work is a basic source on this notable, particularly fertile vein of American artistic creativity.
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