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In the last twenty years, gay literature has earned a place at the American and British literary tables, spawning its own constellation of important writers and winning a dedicated audience. No one, though, until Philip Gambone, has attempted to offer a collective portrait of our most important gay fiction writers. This selection of interviews attempts just that and is notable both for the depth of Gambone’s probing conversations and for the sheer range of important authors included.
Allen Barnett
Christopher Bram
Peter Cameron
Bernard Cooper
Dennis Cooper
Michael Cunningham
Brad Gooch
Joseph Hansen
Scott Heim
Andrew Holleran
Alan Hollinghurst
Brian Keith Jackson
Randall Kenan
David Leavitt
Michael Lowenthal
Paul Monette
Michael Nava
David Plante
John Preston
Lev Raphael
Edmund White
- Sales Rank: #4218409 in Books
- Color: Grey
- Published on: 1999-05-10
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .80" w x 6.00" l, 1.10 pounds
- Binding: Paperback
- 352 pages
From Publishers Weekly
A welcome compilation of interviews Gambone has conducted with 21 gay writers since 1987, this collection amounts to a compelling portrait gallery of many influential figures. Gambone's knowledge of each writer's work and his sensitivity to the craft is impressive. While consciously eschewing "literary gossip," his carefully probing interviews provide insight into the working methods and aesthetic, personal and social concerns of a varied group, including such well-known writers as Edmund White and Andrew Holleran, as well as those who emerged in the late 1980s and 1990s, including Alan Hollinghurst, Randall Kenan and Scott Heim. Presented in roughly chronological order by date of interview, the book amounts to a broad overview of the "breathlessly rapid" development of gay fiction and its themes, from early coming-out novels (such as Edmund White's A Boy's Own Story) to more complex visions of a world in which gay people are no unhappier than other people. Many of the writers stress how important it is for them to feel the freedom to depict their world honestly. There are also some provocative juxtapositions, in which authors reflect on (and in the notable case of Dennis Cooper, vehemently reject) the work of their contemporaries. Here's hoping that Gambone is at work on volume two. Photos not seen by PW.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Gambone (The Language We Use Up Here, LJ 6/15/91) conducted the interviews collected here from 1987 to 1998 with a virtual who's who of late 20th-century gay literati: Edmund White, Christopher Bram, Andrew Holleran, David Plante, and the late John Preston, to name only five of these 21 authors. Gambone, himself a talented journalist and essayist, clearly did his homework going into the interviews, and his subjects' responses are thoughtful and articulate. Somehow, though, interviewer and interviewees ultimately emerge as perfunctory and superficial, and aside from the occasional morsel of wit or insight, there is little here to suggest that these men are collectively responsible for some of the wittiest and most sensual English-language prose of the last quarter century. One concludes that they reserve their artistic powers for their work. A promising concept not fully realized, this is an optional purchase for all but the most comprehensive gay literature and gay studies collections.ARichard Violette, Special Libraries Cataloging, Inc., Victoria, BC
Copyright 1999 Reed Business Information, Inc.
From Booklist
Gambone, an award-winning essayist, journalist, and fiction writer, has had many occasions over the years to interview significant gay male fiction writers, and 21 of his interviews, previously published in periodicals or aired on radio, are gathered here. It's a very useful compilation; Gambone chose interviewees whom he knew would talk openly. He elicits from them animated, revealing, and even warm answers to his questions about their writing lives; eschewing gossipy topics, he sticks to literary matters, particularly opinions of, and notions of their own place in, the gay literary movement, which, as compiler Gambone explains in his introduction, began to fully blossom in the late 1970s with the publication of the seminal novels Dancer from the Dance by Andrew Holleran and Faggots by Larry Kramer. It's easy to insist that any interview has given you a sense of the person interviewed, but it's a definite, true sense here. Readers and writers, too, may learn from these glowingly articulate men. Brad Hooper
Most helpful customer reviews
7 of 8 people found the following review helpful.
Awesome collection
By A Customer
Since this includes interviews with some of my favorite writers, I was eager to devour it. I totally love the tidbits, as well as the interviews. Now, the biggest problem with this book is the excessive amount of editorial errors. Just in my first reading of this book, I found over a dozen! And this is published by a university press! If you can overcome the distractions of these mistakes, then you can enjoy what this book is meant to be: a fascinating collection of interviews of some of the biggest names in gay men's publishing.
0 of 0 people found the following review helpful.
I enjoyed it and Phil signed it for me
By comconct
I took a short story course with Phil at Harvard. This book is not the same as learning from Phil which is often the case with wearing two hats. Phil wanted to pass on his experiences and those of other gay authors and I think he does that well. He doesn't tend to get into the exotic or pretense of gay writers or men. If you are at all averse to homosexuality, this isn't for you unless you wish to educate yourself. I enjoyed it and Phil signed it for me. Thanks Phil for what you passed down in class. I learned a lot from this teacher of literature.
Something Inside: Conversations With Gay Fiction Writers
0 of 1 people found the following review helpful.
Something (Mediocre) Inside
By Amazon Customer
What does one expect from a writer who teaches at Harvard and writes about authors. Good editing? Pith? Substance? While Something Inside is a worthwhile book it seems a bit slapdash and unedited as if Gambone said, "Here are these things I already have how can I make some money off of them?" and then the publisher said "He already...what's the least we can do and still make money?" For instance some of the printed interviews are composites of more than one live interview and the reader finds himself wondering why Gambone asked the same question twice. Also many of the actual interviews were given on book tours and Gambone includes references to the previous nights lectures without much in the way of explanation. There are plenty of decent answers but little in the way of revelations or useful advice. Gambone never seems to follow up on his questions and lead his authors into the depths. The interviews themselves seem to be amature and learn as you go and the lack of editing has done nothing to improve on them. All in all this seems like a project that it's participants sleepwalked through. Given the opportunity to do it over, I would pass on this one.
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