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Paracritical Hinge is a collection of varied yet interrelated pieces highlighting Nathaniel Mackey’s multifaceted work as writer and critic. It embraces topics ranging from Walt Whitman’s interest in phrenology to the marginalization of African American experiential writing; from Kamau Brathwaite’s "calibanistic" language practices to García Lorca’s flamenco aesthetic of duende and its continuing repercussions; from H.D.’s desert measure and coastal way of knowing to the altered spatial disposition of Miles Davis’s trumpet sound; from Robert Duncan’s Vietnam War poetry to the emancipatory potential of collaborative practices; from serial poetics to diasporic syncretism; from the lyric poem’s present-day predicaments to gnosticism. Offering illuminating commentary on these and other artists including Amiri Baraka, Mississippi Fred McDowell, Wilson Harris, Jack Spicer, John Coltrane, Jay Wright, and Bob Kaufman, Paracritical Hinge also sheds light on Mackey’s own work as a poet, fiction writer, and editor.
- Sales Rank: #2024024 in Books
- Published on: 2005-01-03
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .90" w x 6.00" l, 1.15 pounds
- Binding: Paperback
- 312 pages
Review
"Mackey’s new volume is more even than the ‘paracriticism’ of its title, it is a hinge linking practices, linking a poetic critique with a metamusical aesthetic. Fiction and criticism conjoin in the passages drawing from Mackey’s serial fiction even as the interviews proffer a poetics."—Aldon Nielsen, Penn State University
About the Author
Nathaniel Mackey is professor of literature at the University of California, Santa Cruz, and author of several books, including Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Useful collection
By J. P. Craig
First off, if you're a scholar of literature, you won't be surprised to know that you can likely get everything in this volume for free elsewhere where it has been previously published. So you don't NEED this for your work, but it does provide one handy collection of much of Mackey's uncollected scholarship, including his excellent piece "Gassire's Lute" on Robert Duncan. If you're not a scholar and just like Mackey's poetry and novels, I'd recommend picking up this book just for ready access to "Gassire's Lute," which is otherwise only available in past issues of the journal Sagetrieb. This essay seems a great key into Mackey's notions of mixture, complicity, and evil. If you're a poet or, again, just like Mackey's work, the collection of interviews at the end of the book will be great reading. If you just wandered here, and you don't know Mackey, check out his novels, definitely. If you read poetry, his Songs of the Andoumboulou are wonderful, especially if you can get ahold of the onw-rare CD Strick on which he reads with jazz accompaniment.
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